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look through Ophelia's lines, especially the songs that Ophelia sings in Act 4 Scene 5.
Follow these three steps:
Identify together one or two of the themes of her singing,
Make claims about these lines
then give evidence as to why your claims are true.

Respuesta :

A court gentleman reports that Ophelia has become pitiably insane. Gertrude refuses to see the girl, but Horatio points out that Ophelia's mental state may attract undue attention to herself and the crown. Gertrude then agrees to speak with Ophelia.

Ophelia enters singing fragments of songs about chaos, death, and unrequited love. The King and Queen both try to speak with her, but she replies only unintelligibly. Claudius comments that her father's death has undoubtedly driven her mad. He asks Horatio to follow and watch her. Then he turns to Gertrude and sums up the troubles that plague Elisinore of late. He recounts his torment over the slaying of Polonius, the secret burial to avoid uprising, the madness of Ophelia, and the arrival of her brother, Laertes, who means to incite rioting over his father's death.

The courtiers hear Laertes and a mob outside attempting to break into the castle. Laertes tells his followers to keep watch at the door, and he angrily asks Claudius to give him his father. Gertrude tries to calm Laertes, but Claudius tells her to let him rail, that they have nothing to fear from the young man. Claudius manages to placate Laertes until Ophelia returns, singing incoherent snippets of a song about a dead old man. Laertes comments that a "young maid's wits" are as fragile and "as mortal as an old man's life." Ophelia distributes flowers to the assembled people, and exits. Laertes, distraught over his sister's condition, finally pays complete attention to what Claudius has to say. The King promises Laertes satisfaction in avenging Polonius' death.

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