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Which two points of view are used in this excerpt from “Games at Twilight” by Anita Desai?

It then occurred to him that he could have slipped out long ago, dashed across the yard to the veranda, and touched the “den.” It was necessary to do that to win. He had forgotten. He had only remembered the part of hiding and trying to elude the seeker. He had done that so successfully, his success had occupied him so wholly, that he had quite forgotten that success had to be clinched by that final dash to victory and the ringing cry of “Den!”

With a whimper he burst through the crack, fell on his knees, got up, and stumbled on stiff, benumbed legs across the shadowy yard, crying heartily by the time he reached the veranda so that when he flung himself at the white pillar and bawled, “Den! Den! Den!” his voice broke with rage and pity at the disgrace of it all, and he felt himself flooded with tears and misery.

Out on the lawn, the children stopped chanting. They all turned to stare at him in amazement. Their faces were pale and triangular in the dusk. The trees and bushes around them stood inky and sepulchral, spilling long shadows across them. They stared, wondering at his reappearance, his passion, his wild animal howling.

Third person omniscient
second person
third person limited
first person

(There are two answers.)

Respuesta :

Answer:

  • Third person omniscient  
  • third person limited

Explanation:

Third person omniscient   perspective is a strategy for narrating in which the storyteller knows the contemplations and sentiments of the majority of the characters in the story. The third-individual isn't equivalent to the third-individual restricted, a point of voice that sticks near one character's viewpoint, more often than not the fundamental character's.  

In third person limited the storyteller just knows the contemplations and sentiments of one character. All characters are portrayed utilizing pronouns, for example, 'they', 'he', and 'she'. In any case, one character is intently pursued all through the story, and it is regularly a principle character. As it were, third individual constrained is much similar to when a camcorder is set over the shoulder of a character and the camera pursues that individual intently all through a film. We stay with that individual and are conscious of his or her musings and emotions while as yet observing everything and everybody around the person in question in every scene.