Respuesta :
Both the first one and the last one could be correct here, but choosing which one is best would probably be the last one becasue the biggest difference, or what sets the two apart is primarily who is around.
Answer: A monologue is a uninterupted speech from one character to another.
a soliloque is a speech that isn't intended to be heard by anyone other than the audience.
Explanation: FU#K YOU KATIE
In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films,[1] etc.), as well as in non-dramatic media such as poetry.[2] Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices.'
Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out loud.[3] Monologues are also distinct from apostrophes, in which the speaker or writer addresses an imaginary person, inanimate object, or idea.[4] Asides differ from each of these not only in length (asides are shorter) but also in that asides are not heard by other characters even in situations where they logically should be (e.g. two characters engaging in a dialogue interrupted by one of them delivering an aside).[4]
In ancient Greek theatre, the origin of western drama,[5] the conventional three actor rule was preceded by a two-actor rule, which was itself preceded by a convention in which only a single actor would appear on stage, along with the chorus.[6] The origin of the monologue as a dramatic device, therefore, is not rooted in dialogue. It is, instead, the other way around; dialogue evolved from the monologue.
Ancient Roman theatre featured monologues extensively, more commonly than either Ancient Greek theatre or modern theatre.[7] One of the key purposes of these monologues was to indicate the passage of significant amounts of time (that would be tedious to actually play out in real time) within scenes. This type of monologue is referred to as a linking monologue.[8] Other monologue types included "entrance monologues"[8] and exit monologues.[9] In each of these cases a primary function is indicating the passage of time.[8]
From Renaissance theatre onward, monologues generally focused on characters using the extended speech to pursue their dramatic need. Postmodern theatre, on the other hand, often embraces the performative aspects of the monologue, even to the point of challenging the boundary between character portrayal (e.g. acting) and autobiographical speeches.[10]
interior monologues involve a character externalizing their thoughts so that the audience can witness experiences that would otherwise be mostly internal. In contrast, a dramatic monologue involves one character speaking to another character.[11] Monologues can also be divided along the lines of active and narrative monologues. In an active monologue a character is using their speech to achieve a clear goal. Narrative monologues simply involve a character telling a story and can often be identified by the fact that they are in the past tense.[12]
A soliloquy (/səˈlɪl.ə.kwi, soʊˈlɪl.oʊ-/, from Latin solo "to oneself" + loquor "I talk",[1] plural soliloquies) is a monologue addressed to oneself, thoughts spoken out loud without addressing another.[2][3]
Soliloquies are used as a device in drama to let a character make their thoughts known to the audience, address it directly or take it into their confidence.[4] English Renaissance drama used soliloquies to great effect,[4] such as in the soliloquy "To be, or not to be", the centerpiece of Shakespeare's Hamlet.[5][6]
