The statement is false. Christo and Jeanne-Claude did not leave The Gates up for two weeks because New York City planners would not allow them any more time.
Christo met Jeanne Claude de Guillebon while working there as a portrait artist; they were married in 1959. Initially referred to as her husband's publicist and business manager, Jeanne-Claude later earned equal credit for all creative and managerial parts of their work. Christo and Jeanne-Claude frequently emphasised that the only goal of their creations was to spread beauty and joy. Together, the pair produced artworks and interventions at mammoth scales that frequently made use of the method of wrapping or draping large sections of existing industrial, architectural, and natural features in specifically designed cloth.
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