The Moonlight Sonata's coda is characterized by the main theme, arpeggios, and resolve on the tonic cadence in the bass. While the upper voice's (right-hand) primary melody does not explicitly define it.
The melody is either sung by the singer or performed by an instrument alone. The melody is typically a song's primary focus. While working with the chords, melodies have a different purpose than basslines.
Playing the first, third, and fifth notes of that scale one at a time is known as an arpeggio. This pattern can be continued as an arpeggio: 1,3,5,7. We'll proceed in this manner. There are 7 possible arpeggios you may get in the major scale because the major scale comprises 7 notes.
The Treble Triad Notes in the Plagal IV-I (iv-i), Perfect V-I (V-i), and Imperfect I-V (i-V) Cadences are traveling in Contrary Motion or Parallel Motion to the Bass Cadence Notes.
Complete question;
listen to the excerpt. which of the following describes the coda from the first movement of Beethoven's moonlight sonata? which does not?
-main melody in the bass (left hand)
-arpeggios
-resolution on a tonic cadence
-main melody in the high voice (right hand)
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