In Indian theatre, the rasa, or aesthetic flavor, allows spectators to understand a dramatic situation through a powerful feeling that they themselves have.
Rasa is an Indian concept of aesthetic flavor, which is a vital element of work of visual, literary, or performing art that can only be suggested, not described. It is the emotional flavors and essence which is fashioned into the art work by the writer and appreciated by a sensitive spectator or sahṛdaya who literally means one who "has heart". Rasa is a form of contemplative abstraction in which the inwardness of human emotions pervades the surrounding world of embodied forms. The theory of rasa is credited to Bharata, who was a sage-priest between the 1st century and the 3rd century BCE.
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