in addition to the fact that most scripts were rejected, the primary factor for the slow output of films throughout the 1930s in the soviet union is The Montage Movement
By contrasting several images, editing time to be shorter, or weaving together multiple tales of a narrative, montages allow filmmakers to convey a lot of information to an audience in a short amount of time. The word "montage," which means "assembling" or "editing," is French in origin.
Therefore, The Soviet montage theory is an editing-heavy method to comprehending and making movies. It introduced formalism to filmmaking, which is the main contribution of Soviet film theorists to world cinema.
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