The way Eadweard Muybridge's Annie G., Cantering, saddled differ from Fernand Léger's Ballet Mécanique was that it is a series of still photographs.
Using kaleidoscopic film of people and machinery that has been cropped, altered, juxtaposed, and overlapped, Ballet Mécanique creates a deformed dance that is both unpredictable and graceful. The unconventional soundtrack, created by George Antheil, accentuates dissonance and heightens the startling impact of the movie.
Dadaist post-Cubist art film Ballet Mécanique (1923–1924) was created, scripted, and co-directed by the artist Fernand Léger and the director Dudley Murphy (with cinematographic input from Man Ray). George Antheil, an American composer, wrote the music for it.
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