The artist must distinguish individual personalities in the group.
Frans Hals (1580–1666) was the first significant representative of Dutch Baroque portraiture; he was the first to reject the prevalent Italian classical method of portraiture in favor of a more realism-based approach. A form in which his keen observational skills and vivacious expressiveness might conjure up an appropriately original composition.
In affluent, bourgeois Holland, the new middle-class patron desired to see himself most in oils, which is what Hals depicted. After all, portraiture was just photography of the time, only better because a painter can flatter the subject more effectively than any camera.
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