An early twentieth-century vocal style in which the melody is spoken at approximate pitches rather than sung on exact pitches: Group of answer choices

Respuesta :

Sprechstimme is a vocal style in which melody is spoken at approximate pitches rather than sung on exact pitches.

Sprechstimme is often used in 20th-century music. Its creation is especially related to the composer Arnold Schoenberg, who first used it in his Pierrot Lunaire. It had been used earlier, however, in the melodrama königskinder, via Engelbert Humperdinck.

Arnold Schoenberg or Schönberg became an Austrian-American composer, music theorist, instructor, writer, and painter. he's extensively considered one of the most influential composers of the twentieth century. He was related to the expressionist motion in German poetry and art and was chief of the second Viennese school.

Sprechstimme, in song, is a move between speaking and singing in which the tone pleasant of speech is heightened and decreased in pitch along melodic contours indicated in the musical notation. Located within the netherworld between speech and music, this approach captures the slightly disturbing flavor of the texts and enhances Schoenberg's avant-garde musical settings. Although Schoenberg did now not invent Sprechstimme.

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Answer:

Sprechstimme

Explanation:

In German, it means spoken voice that was developed by the very famous composer and music theorist of 20th century, Arnold Schoenberg.

 He was also the part of the expressionist movement of that time that took place in Germany that was closely related to painting and poetry in the 20th century.

 He used this musical technique for the very first time in Pierrot Lunaire(1912) that was a melodrama.

 Richard Wagner, notable German composer had used this musical technique in some of his famous works

 It is often used interchangeably used with the term Sprechgesang but the two have slight difference among them.

- Nowadays these two musical techniques are not that popular that they used to be in the early 20th century specially in the German operas of those time.

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